Like a shinning star rising from Karabakh in Azerbaijani literature in the 19th century, Fatma Khanum Kemine, as a female poet, successfully handled worldly and divine love together in her classical style poems written in masculine language. Both her personal friendship with Hûrşîûûdbânu Nâtevân, the famous Karabakh poet and the daughter of Mehdikulu Khan, the last khan of Karabakh, and her interactions in the poets assemblies have been revealed in biographies and research. Fatma Hanım Kemine, to whose poems many parallels have been written, also wrote parallels to the poems of her contemporaries and the poets she was influenced by. The unique style of Fatma Hanım Kemine, whose influence on Fuzûlî is clearly observed in her ghazals, her skill in using the aruz, and her mastery of Turkish and Persian are other important points that attract attention in her poems. Sufi terms, famous masnavis and allusions to classical poems about divine love are the most important elements that contribute to strengthening the vocabulary and ensuring that the influence of her poetry has survived over the centuries and has survived to the present day. In this study, the life of Fatma Hanım Kemine, her literary personality and her ‘allegations’, which is one of the literary arts and vocabulary pool belongs to her stylistic in her poems, will be taken into consideration.

Fatma Hanım Kemine, her literary personality and her ‘allegations’, which is one of the literary arts and vocabulary pool belongs to her stylistic in her poems, will be taken into consideration.